Saturday, December 17, 2016

Simple truth about Writing, writers block and others

Not everyone is going to be the same while writing. Some will say they bled sweat and tears while writing. Others will say it felt the same as banging their head against the wall while some simply said they had no problem and those who accused them of not telling the truth. It all depends on if you want to believe any of this. Truth be told, each writer is different and what works for one might not work for another. Possibly if writing is such a struggle than maybe it’s not for you or possibly you haven't found what works for you yet.
Many focus on word count and others write as it comes to them. That's how I personally write but I do it from scene to scene. I play the story in my head as a movie while I write and sometimes my characters take a turn I wasn't expecting so I go with the flow and see where it takes me. Some writers need a very detailed structure for the story-line to stick with.
Writers block seems to affect so many especially when they see zero words added to their page. Some simply need to turn off the word count until they are finished with their story they want to tell. I don't personally have writers block and it doesn't mean this is a bad thing for others. It might be frustrating, but understanding why you are stuck will help.
When it comes to writers block you will find many answers. The only way of dealing with this is finding what works for you. If leaving the piece you’re working on and messing with something else works for you than do it. Take your time, it’s better to have great writing than something that sounds forced and not something that makes you happy. I do it all the time. I will have several stories going at once depending on the mood I’m in and if I don’t feel like writing I won’t force myself. You will hear from established authors and even ones who are not writers say you should force yourself to write for at least an hour or more a day. It might work for some but others that can be even more stressful. I don’t like to write when I’m stressed out and if I write when I am not in the mood my story tends to take turns I don’t really care for or would not have done. I've even been frustrated enough that I killed my main character and needed to fix it. It is very important to find your own writing style and what works for you.
Find where you feel comfortable writing even if it’s sitting in a beanbag chair, regular office chair or outdoors somewhere. There are many trays that can used to keep your laptop comfortable if you take it outside. Have a drink next to you. I love drinking water when I write, sometimes I’ll have coffee or hot cocoa or even tea at times. Make sure your area is comfortable and safe. A friend of mine loves writing while sitting in the corner of her room. She will have the corner against her back so she is looking into the room and she’s sitting down on a pillow with her laptop in her lap. Sometimes if she really feels like getting into it she will pull out her manual typewriter.
Some need help getting into the mood. that's generally my problem. I have what I want to write down but not in the mood to physically write it. Either by listening to music, television or movie in the background can help with moods. Just make sure it isn’t to interesting you spend more time watching it then writing. For my problem I use a voice writer so I can speak out loud and it records me. 
There are writing exercises that you can do. Look at an object and describe it in writing. If there are two objects near each other describe how they met each other or a situation if they were at war, in love or hated each other. It gets the mind thinking which is better than forcing yourself to write, especially if you are not in the mood and not liking what your doing will only increase frustration. Writing should be enjoyable, something you love to do, not hate.                                
Getting accepted by a publisher is exciting news but I can't begin to tell you how often I've found people who regretted the contract later because they did not read the fine print or were surprised by a section that superseded the contract in hand and they lost their rights to their writing. I cannot stress enough to everyone, please read the entire contract. Take time to think it over. Seek out the assistance of an attorney or lawyer to get their opinion of the contract. Don't sign something that you do not understand even if they have explained it to you. The contract that is in physical form must be understood and yes, each part can be broken down so you can understand it but don't simply take someone's word for it. Do your research! If you can research words and other minor things for your book why not your contract?
Also make sure you understand what type of publisher you have been accepted by, either vanity (you pay them), P.O.D (Print on demand, a lot of bookstores don’t accept these) Hybrid Publisher (you advertise yourself, some require you edit your own books, they do the rest), Traditional publisher (they do everything but still expect you to participate at times) These are only a few and limited descriptions but it is very important to know what they expect of you and what you expect from them. Keep in touch and work with your publisher. Update them on how you are doing especially if they are a larger publisher or you tend to get lost in the cracks.
I consider writing my first career. Second would be anything that happens to promote my writing. The reality is that many writers have two careers or jobs simply because writing doesn’t always pay the bills. I will always write because I love to, I obsess over it at times and I feel happy writing. The secondary job although has more likelihood of never being returned to, my writing always will. Currently I work in private healthcare. I’ve had many jobs over the years and learned from them. A few I picked up because I wanted to know what it was like and even based my characters in that field. At least this way I would get it accurately portrayed for the character. Below I have a link to twenty authors who kept day jobs while they wrote.
When an author has their book published there is so much work that goes into it before the book is made available to the public. There are the many hours an author spends dreaming or thinking about the story, getting it written down so it is no longer only a thought. There are a lot of changes that happen once the story is finished and a lot of editing. Getting your writing copywritten to protect your hard work. There is the cover art for the book, the back description so people know what the story is about. Getting a library of congress control number and an ISBN (ISBN is the acronym for International Standard Book Number. This 10 or 13-digit number identifies a specific book, an edition of a book, or a book-like product (such as an audiobook). Since 1970 each published book has a unique ISBN. In 2007, assigned ISBNs changed from 10 digits to 13.)
There is also coordinating various websites and other places the book may be made available to for a release date. Depending on the type of advertising that may be done with the books release will be arranged. It may be sent wide spread to various bookstores large and small to let them know it is available, to various library or reading groups. There are a lot of publishing companies. Self publishing, vanity press, Pod publishing, Hybrid publishing, Traditional publishing. If you’re an established author your royalties and how your book is advertised will be different. 
New authors who have not established themselves, they have a lot to prove simply because they are a higher financial risk. Even if you get picked up by a traditional publisher this does not mean your book will be in bookstores or it might be available as an e-book through large brick and mortar stores until you increase demand for your book. Publishers lose the most amount of money when they take the risk of taking on new authors. This is why many of them are fillers. The top four publishing companies are Simon & Schuster (a subsidiary of CBS Corporation), HarperCollins (a subsidiary of NewsCorp), Penguin Random House (a subsidiary of Bertelsmann and Pearson), Hachette Livre. With the countless submissions they receive, even if you are fortunate to get picked up by one that doesn’t mean you will have an advertising budget however their website does generate a lot of visitors so they might come across your book. Many times, it is better to be picked up by a smaller publisher for more personal care. However even these have to be careful because they invest so much into your book financially when they know if you begin to sell you will leave taking another offer. While this is usually in your best interest it leaves them building your reputation and promoting your book to having nothing in the end for all of that work. If you go with a smaller publisher work out a plan that if your book does become successful that you can adjust your royalties and other offers. Many are willing to adjust especially since they were the ones who helped you get to this point. 
I've seen this many times when a small publisher advertises their company, an author will get angry with them wondering why they are advertising themselves and not the authors book. Long after the author is gone, that company still needs to be known for authors to apply with them. They need to build their reputation up so that they get the foot traffic large publishers have. By advertising themselves they bring attention to everyone they have rather then a few who may or may not leave in a short period of time.
This isn’t to discourage anyone from writing, making sure you love what you’re doing and don’t expect to get rich when picked up by a publisher. It’s better to be realistic then expect the moon and be disappointed later because you didn’t get it. There is always that chance you could be the break out author, determination and stubbornness goes a long way.
This is a big thing and I cannot stress it enough. Work with your publisher. If they want to coordinate with you for events and you plan on doing something but don’t tell them until short notice. There isn’t much they can do. Your publisher has a budget, even large publishers have budgets. Let’s say you arrange a book signing. Instead of only announcing you’ll need books, give at least three months or more warning if you can. The longer you give the longer they have to assist you. A small advertisement in the paper, events listed on Facebook with a paid for ad. Book marks with your book and info to hand out for free to advertise for your readers, posters or many other things. Let them know what you are planning and if you know what you need, let them know. Many publishers want to be involved, if you have an agent do the same with them.
A cover can make or break your book. The publisher wants to make money or again they lose, so they will have done their research for what will be best for the cover of your book. Some will ask for input but ultimately majority of publishers pick for you. This is the same for editing, have faith in your publisher. Your friends and family may have their opinions however they are not your publisher and second guessing or wanting your way instead of listening to your publisher is insulting. Most of the time you will frustrate your publisher and they will wish they hadn’t picked your book up or wondered why you went with a publisher in the first place. Bottom line is that publishers risk money on books they need to sell. If they mess up they lose a lot. If you caused them to lose they still get stuck with the bill.
When the publisher advertises on billboards, television, radio spots, internet and other various venues. Depending on the price, this will determine where ads for your book go. They may be slated for certain areas but not until your book is a good seller. If your publisher puts out $5k advertising your book and it only sells $200 because your unknown. They’ve lost a lot of money. Now imagine if this happens with other authors who have amazing books but because they are not known or do not have a strong following the cost begins to get pretty high and have in the past put publishers out of business, many with debts left over they are still stuck paying.
When you get paid an advance, this will eventually come out of your royalties. An advance is not a sign on bonus. It is an "advancement" on your royalties. The higher end you get some publishers may offer special bonus's but not until you are like Stephen King, Anne Rice or Rick Riordan writing level.
 Experienced copy editors might be able to edit about 10 pages per hour, which would mean they make $0.014 per word if they charge an hourly rate of $35. That makes $1,120 for an 80,000-word manuscript. According to the EFA, basic copy-editing for an average-length manuscript would cost $960-2,560.
The main thing with writing is to enjoy and have fun.  I’ve included a few articles associated with the publishing field I found helpful.

20 authors who worked other jobs while writing. http://www.huffingtonpost.com/paul-anthony-jones/famous-author-day-jobs_b_5724482.html

Sunday, December 11, 2016

Obsession over characters

I never thought I would be the type of writer who would have a muse. Certain people do inspire me for perseverance or personality but this one has really stuck with me and had inspired me to write a couple of books. I feel I know his personality so well to the point he truly is real to me and that makes the character I write about that much more relatable. It’s also one of the reasons I don’t like to get to know actors/ actresses outside of their role because many times it ruins it finding out what they are like. It’s the character they portrayed and not really the person playing the role I’m addicted to.
Whether the character is from a movie, book or one I’ve created myself. I have found myself getting not just addicted but obsessed with a character. I know I’m not alone when I see many forms of fan fiction or the simple fact that merchandise sold with that character on it finds its way into others homes.
There are many reasons personally why I get obsessed with characters and it isn’t only the ones I’ve created for my own stories. I loved the Harry Potter series simply because we were fortunate as an audience to see the same actors play them and grow along with the characters themselves, at least in the movies. As far as the books are concerned there is so much of their personal lives you feel as though you are along for the journey as a friendly observer and you see how everything affects them. What difficulty they’ve had to overcome not just physically but emotionally. J.K Rowling developed her characters quite well that they really reflect and come across as real people even though they are fictional.
Other characters I’ve been addicted to were either their personality, what the writer had the character endure during their written life or simply a look/expression the actor/ actress gives while acting. I always make it a point to read the book and see the movie. I might not like the changes they make in the movie from the authors original perspective but sometimes they can give it a different angle. Almost like fan fiction and see how the outcome would be if a few things were changed. Sadly, in some there are massive changes it’s no longer after the original content at all other than in name. Cassandra Claire is an example of this with her Mortal Instruments series. I enjoyed the book and the first movie but could not get myself to follow along with the television series.
I do want to note I am obsessed with the character and not the person portraying them and I don't at all encourage or endorse stalking of the actual person portraying the character.
One of the book series I loved is from Darren Chan, Cirque Du Freak. I loved the movie and the books. There are 12 books in the series and well worth the read. I loved the story he created however the writing style isn't one of my favorites. From his book series, I became addicted to the character Larten. I would imagine or dream him in other situations and events. This would also be considered fan fiction. Only difference is that I don't write fan fiction on paper or share my thoughts about story lines however I do enjoy reading what others have written when it comes to fan fiction.

A goal of mine is that I need some kind of connection or even to the point of being addicted to my own characters that I write. I know I won’t like all but there needs to be some quality to each. I have a few who I am addicted to simply because of the way they think, treat others, adventurous determination or stubbornness. If I don’t feel the connection with the I have a hard time believing my readers would either.

Writing and cheating

I've been asked a lot of basic questions about writing however this would be a first and it came from an eleven-year-old. She pointed out how many actors like to research for their roles they play. I've heard this also either going under cover as an officer, going to a strip club, spending time at bars or working certain jobs to gain perspective. Even writers are always mentioning research especially those in Mystery, homicide or geological location or time period for a setting.
The question asked is that if there is a romance in the story and you get into the characters’ heads, do you feel like your cheating because you’re creating an intimate relationship between characters. Is fantasizing about this considered cheating.
I thought it was a good question and one I'm sure depending on who you ask will give you a very different answer from a direct yes, explanation for or against or the opposite a direct no. I can only answer for myself on this one and not for anyone else. The way that I write about my characters I don't feel I'm cheating in any way. I know more personal detail but it is only because I happen to be writing it. I’m not physically going out trying to recreate these connections that I write about.
When I write about a character I know what pet peeves they have, personal likes and dislikes, their family background. How they interact with someone. When you have a friend or family member that you know incredibly well you would know these personal things about them. Even to the point if someone walked through the room without saying a word but was smiling you could know something was bothering them when anyone else would have thought they were fine. It's the small details. People normally share information about dating and their lives so we get to know them this way.
When it comes to research, I’ve experienced relationships myself, dealt with friends and observed from a distance others. I consider this research also. I like to sit in the mall some times to see how people interact with each other and majority of the time from human nature I know how they will react and from seeing it so many times. I write for all age groups so I do keep a lot of what my characters do behind closed doors. I might elude to something however detail I leave out. When they fall in love I think of relationships I’ve experienced or what I would want myself.

There are terms such as book boyfriend, fiancée or even husband. Personally, I’ve never gone that far. I might obsess over a personality or see this character as someone I would have made friends with but never on such a personal level as dating my own characters. I feel the same way towards those who portray characters. I might love the way they character is handled by some more so than others but I am not falling in love with the person playing the role. I’m not against anyone who feels this way or have crushes on characters. Having a crush is a way telling you what you would like to find in a perspective relationship. Hopefully it’s a healthy one but then most know the difference between fiction and reality. If you have a crush on a vampire it’s not that you disregard life and want to die but you may admire or respect a quality this character has. Many have a different perspective on life because of being a creature. This can be taken so many ways depending on what is involved, authors intent and what readers understand from it. If there is a subject involving a character you are unsure of and think it could be possibly abusive, research it and find out the facts. It doesn't mean you need to watch a sex video but there is text information. 
Example of this would be with grey series. I was given the book as a gift. I tried to read it and couldn't get past a few chapters. I felt I was reading something a child wrote about a very adult situation. It was trying to portray love however in an abusive manner without regard to the well being of the other character, The BDSM was not accurate and by ignoring her saying to stop or using safe word it is clearly rape. whether or not the author intended on this or not it is disturbing and sadly people have wanted the same relationship. If the man was poor and not rich people would not be looking at it the same. Some are simply looking for the right to watch it without feeling they are watching pornography. Of course you will find many various opinions on this as well however I do feel the authors need to be respectful towards their audience. That book is geared towards adults and the author would have to be asked herself what she was thinking and if she felt she was cheating by creating this. I couldn't speak for her.

Thursday, October 27, 2016

Paranormal, witchcraft, magic and romance in novels.

I was asked recently about one of my new books that is coming out soon. Originally it was going to be a single novel however there was too much to the story I’ve turned it into a very short series. The change is the concept of magic. Most of my books are always dealing with vampires and their abilities however as the family secrets series progressed I found myself adding more magical properties to it. This new series I wanted more of that present. The first book starts the introduction to it however the second one really dives in deep. Before the novel is released I wanted to share various types of “Pagan,” and many other types that tend to be put under this category. My new novel “Dusk” will be out in November 2016.

My novel Dusk is not about Pagans of all kinds in general. She has a long lineage of Witchcraft and Wicca. Labeling someone as Pagan doesn’t exactly give a very accurate fit to the name. Many groups are placed under this however I am going to list several and I know I’ll miss some however the explanation next to them will be a very shortened explanation of the group and what they believe. Depending on the group there still may be more variations to these groups also but this is to give you a general understanding. Many that fall under the term “Pagan” differ so greatly that one might be a witch however each could differ from the other by 100%.

"The major misconception about Witchcraft today is that Witches worship Satan, which is just not so. We do not believe in Satan. That is a Christian creation. We don’t worship evil. Indeed, to give evil a name is not a real intelligent thing to do, because then you give it power." ~ Silver Ravenwolf ~

Pagan:
A person holding religious beliefs other than those of the main stream religions.

Wiccan: The religious belief of modern witchcraft, especially an initiatory tradition founded in England in the mid-20th century and claiming its origins in pre-Christian pagan religions.

Witchcraft:  Witchcraft is the practice of any Magical Art from any religious or spiritual system, regardless of alignment or intent.

Voodoo:  Louisiana Voodoo, also known as New Orleans Voodoo, describes a set of spiritual folkways that developed from the traditions of the African diaspora. It is a cultural form of the Afro-American religions developed by enslaved West Africans and the French, Spanish, and Creole populations of the U.S. state of Louisiana.

Hoodoo: Hoodoo (also known as rootwork) is Southern folk magic grounded in centuries of African American heritage within the southern United States. Hoodoo is often known by other names including: conjure, rootwork, root doctoring, laying tricks, working roots or doing the "work".

Augury Witch: Similar to a shaman in practice, the augury witch will help to direct those on a spiritual quest by interpreting the signs and symbols the traveler encounters. The term derives from the official Roman augurs, whose function was not to foretell the future but to discover whether or not the gods approved of a proposed course of action by interpreting signs or omen such as the appearance of animals sacred to the gods. It is important to note that augury witches are not "fortune tellers", as their gifts are of prophecy and not divination. In the context of prophecy, in his Scottish play Shakespeare's witches appear as augury witches.

Traditional: One who practices witchcraft by honoring and using old and traditional ways of magick. This type of witch might be one to practice modern methods of magick but they might also stick to traditional concepts or techniques.

Ceremonial Witch: Witches who combines both the practices of witchcraft and ceremonial magic, though they are more spiritually centered than most ceremonial magicians. Ceremonial witches are very exacting in the performance of ritual and their rituals are usually followed by the book, to the letter and with much ceremony. They may use a combination of various mystical disciplines drawn from the Old Ways, but will often incorporate scientific approaches such as sacred mathematics and quantum mysticism as well.  They will call upon an eclectic band of spiritual entities, leaning towards archetypal figures representative of the energies they wish to manifest.

Eclectic Witch: An individual approach in which the witch picks and chooses from many different traditions and creates a personalized form of witchcraft that meets their individual needs and abilities. They do not follow a particular religion or tradition, but study and learn from many different systems and use what works best for them.

Elemental Witch: A witch who practices by honoring/acknowledging the 4 or all 5 elements: Water, Earth, Air, Fire, and Spirit. Commonly an Elementalist will dedicate different areas of their altars to each element, call upon them during spells and rituals, and use symbols to represent each.

Faery (Fairy) Witch: An eclectic witch who seeks to commune with faery folk and nature spirits in their magick workings. They have no organization or tradition and it has developed of its own accord through common practice. (Not to be confused with the 'Feri Movement' [see below]

Hellenic: A form of non-witchcraft practice where the practice follows Greek ideals/culture and honors the Greek pantheon.

Hereditary/ Blood Witch: Also known as a Family Tradition Witch, it is someone who has been taught "The Old Ways " as a tradition passed down through the generations of their family. Though you may be born into a family with the tradition, you cannot be born a witch, a conscious decision and acceptance of “The Craft” is necessary to become a witch. Many witches claim to be hereditary witches when in fact, they are not. You must be brought up in a family of witches to be a hereditary witch.

Science: A form of Magick that both metaphysical ideas and scientific facts/theories are mixed together by the individual practice.

Green (Garden) Witch: A practitioner of witchcraft whose focus is on the use of natural items and places. The goal of the Green Witch is upon achieving magic through communion with Mother Nature and using Her energies. A Green witch is very similar to a Kitchen/Cottage witch (see below) with the exception that the Green witch practices in the fields and forest in order to be closer to the Divine spirit. The Green witch makes his or her own tools from accessible materials from outdoors.  A Green or Garden Witch, that works primarily with floral materials and flowers in their practice is often called a Flora Witch and one who works with herbs and other plants an Herbal Witch. 

Hedge Witch: Hedgecraft is a path that is somewhat shamanic in nature, as they are practitioners of an Earth-based spirituality. These are the ones who engage in spirit flight and journey into the Otherworld. They can, in this capacity, be very powerful midwives and healers. A bird of one kind or another is usually associated with the Hedge Witch, most commonly the raven and the goose. The term “hedge” signified the boundary of the village and represents the boundary that exists between this world and the spiritual realm.

Kitchen (Cottage) Witch: A practitioner of witchcraft who uses the tools at hand to work their spells and create their rituals and who deals with the practical sides of religion, magick and the Elements of the Earth. Some who hear the term “Kitchen Witch” may think it is a magickal art confined only to the kitchen or cooking, but it is much more. It is about the finding of the sacred in everyday tasks, no matter how mundane they may appear to be. An increasingly popular type of witchcraft, it is about working with the energies of nature to make the hearth and home a secure and sacred place.

Dream (possible variation of hedge) Mindful and internal magickal practice mainly based from interpreting dreams and/or engaging in lucid dreaming. Those who intensify as this may “de-code” symbols and messages in the dream world similar to how one would use a divination technique
Sea: A type of magick derived from materials and abstract ideas involving the ocean and oceanic world. Sea/ocean magick can be worked using seashells and bones, sea weed, beach sand, driftwood, ocean water, etc. and a sea witch might draw their energy from that of the sea!

Secular Witch: One who practices a secular or non-theist approach to the Craft, not connecting with deities in their rituals and magick. Secular witches believe the energy used in their magick comes from the Earth and natural world and they will use tools like plants and herbs, crystals and stones, or other things that they do not worship as deities.
 
Solitary Witch (Solitaire): One who practices alone, without a family or group and without following any particular tradition. Sometimes they are among that class of natural witches whose skills have been developed in previous lifetimes. There is a legend among witches that when an individual soul has practiced "the Craft" over a period of several lifetimes, the knowledge is reawakened upon reaching puberty.

Satanic Witch: A pernicious epithet used by those who wish to demonize those practicing witchcraft. Satanic worshippers are not witches. Traditional Witches do not worship Satan as this is a Christian concept not recognized in traditional pagan beliefs. Accordingly, the labels of “white witch” and “black witch, (popularly meaning a “good witch” as one who practices “white magic” and a “wicked witch” as one who practices “black magic”), are also misnomers as Traditional Witches practice a “natural magic” drawing on the forces of Nature and they refrain from attempting to manifest any form of black magic and the drawing down of negative or demonic energies.
 
Warlock: In common, but incorrect usage, the definition of a warlock is said to be “a male version of a witch”. However, there is much debate about the usage of the word among witches and male practitioners of the Traditional Craft, many of whom find the term offensive and prefer to be known simply as witches, never referring to themselves as warlocks. The most common etymology of the word can possibly be traced back to the old English or Scottish word "waerloka" which many centuries ago had the meaning "oath breaker" or even "traitor". In which case, the term oath breaker may have been applied to witches as they had 'broken their oaths' with the Christian church, by becoming witches. Conversely though, the word "waerlak" meant "honor bound" and exactly which word became associated with witchcraft is a matter of speculation. Today some wiccans will use the term "warlocking" to refer to the excommunication of someone from their group or "coven".
Witches are the kind of more traditional, home and family, craft people, so they're the ones who are making things; crocheting shawls and things like that. But then they also have that slightly confident, dangerous, edge.  ~Deborah Harkness~

Traditions of Witchcraft
African Tradition(s): Different African tribes refer to witchcraft differently. Generally, in African traditions there are generally three classifications of practitioners who use magic ... The “Thakathi” (often improperly translated into English as "witch" and almost exclusively female) are practitioners who operates in secret to curse others.  The “Sangoma” (usually female) who is a diviner, akin to a fortune-teller, often predicting or advising on a person's future, or identifying the guilty party in a crime.  And the “Inyanga”, (usually translated as "witch doctor" and almost exclusively male), whose job is to heal illness and injury through herbalism and naturopathy and to provide believers with magical items for everyday use.

Vodoun (or the anglicized Voodoo): A tradition practiced in the Caribbean and the southern US which combines elements of Roman Catholic ritual with traditional African magical and religious rites, and characterized by sorcery and spirit possession.
 
Appalachian 'Granny' Tradition:  The tradition of Appalachian Folk Magic dates back to the first settlers of the Appalachian Mountains who came to the United States from Scotland and Ireland in the 1700's and who brought with them their "Old World" magical traditions. Those traditions were then blended with the local tradition of the Cherokee Tribes into a combination of local herbal folk remedies and charms, faith healing, storytelling and magick. The 'Granny' Witches will often call themselves 'Doctor Witches' or 'Water Witches' depending upon whether they are more gifted in healing and midwifery, or if they are more in tune with dowsing for water, lay lines and energy vortexes. This tradition is termed 'Granny' from the prominent role played by older women in the mountain communities.

Asian Tradition(s): In Japan, the Shinto religion is itself a shamanistic religion and thus the Japanese do not attach negative connotations to witchcraft. The word "witch" is actually used with positive connotation in the Japanese language as a female with high skills or fame. Asian witchcraft generally centers on the relationship between the witch and the animal spirits or familiars and in Japanese witchcraft, witches are commonly separated into two categories: those who employ snakes as familiars and those who employ foxes; the Fox Witch being the most commonly seen witch in Japan. In China, witches employ books, staffs, and other implements, similar to the western traditions of witchcraft and the witches are often accompanied by familiars in the form of rabbits, which are universally associated with the Moon, with fertility and with the Goddess. The witches of China are notable for their extensive knowledge of the occult properties of plants and herbs, as well as for clairvoyance and the study of astrology.

Australian Aboriginal Tradition: Aboriginal female elders were labeled by Christian missionaries as "witches" or, if men, as "witchdoctors” and these missionaries saw the traditional female practice of "love magic" or yilpinji as "witchcraft". Yilpinji is achieved through a creative integration of myth, song, gesture and art against a background of country. Yilpinji, love magic, is invariably based in the empowering link with the homeland shared by everyone in Aboriginal culture.

British Tradition: (Not to be confused with 'British Traditional Wicca’) Traditional British Crafters generally practice a solitary form of witchcraft and each traditional witch draws on an eclectic mix of beliefs and rituals from the myths and religions of the various pre-Roman and pre-Christian tribes and cultures of the British Isles. The culture of the ancient British determines the cultural context of the tradition. British Traditional Witchcraft is drawn from the "energy" of "The Homeland” and its people. So, there are often differences between the practices of those witches from Welsh or Scottish regions for example, but also many similarities such as the common belief in the "magic" of the British forests and woodlands. Over time though it has begun to evolve into a much more regimented system and some in the traditional craft have become less solitary and started coming together in groups with the Wiccan covens structured initiation and degree process. Though continuing to insist on being "Traditional" and not "Wicca" by adopting its structure they are in realty becoming Wiccan in practice if not in name.

Celtic (Irish) Tradition: The Irish Tradition is really many traditions under the general heading of "Celtic" and Celtic paths are some of the more popular traditional witchcraft traditions. Most are very eclectic and hold to the ancient Celtic myths, divinities, magic and rituals. They are practitioners of the Elements, the Ancient Ones and of Nature. They are usually physical and spiritual healers who work with plants, stones, flowers, trees, the fauns and the faires.
 
Cornish Tradition: The traditional magic of Cornish Witches commonly includes the work of the making and provision of magical charms, simple rituals and magical gestures with muttered incantations, the healing of disease and injury and divination. (see below: Cunning Folk)

Cunning Folk Tradition: The term "cunning man" or "cunning woman" was most widely used in southern England, the Midlands and in Wales. Such people were also frequently known as "wizards", "wise men" or "wise women" or "conjurers". In Cornwall they were sometimes referred to as "pellars", which originated from the term "expellers", referring to the practice of expelling evil spirits. Folklorists often used the term "white witch", though this was not used amongst the ordinary folk as the term "witch" had an evil connotation. The relationship between cunning-craft and witchcraft is controversial. The original cunning folk were often times witch hunters; seeking out and condemning an individual as a witch responsible for some evil or affliction and then performing curses against the supposed offender. Today “Cornish Tradition Witches” are often mistakenly referred to as cunning folk.
 
Hecatine (Scottish) Tradition: A tradition in The Craft that comes from a Scottish origin which preserves the unique rituals of the Scots. Drawing on the same cultural influences of Pictish Witchcraft they differ in that Pictish is a more solitary practice. A fairly secretive tradition, not much is known of their rituals by outsiders. In Wicca the Caledonii Movement mirrors much of the same practices and the two are often confused. 

Nordic Tradition (Seiðr): A type of traditional witchcraft practiced in Norse and Germanic tribal societies which flourished during the Northern European Iron Age.  In Norse mythology it is associated with both the god Oðinn and the goddess Freyja.  Seiðr practitioners are of both genders, although females are more common.  Many of the Nordic female witches are Augury Witches (see above) and are referred to as a Völva ("wand carrier" or "carrier of a magic staff"), who practice meditation or introspection for the purpose of clairvoyance and divination.
 
Pictish (Scottish) Tradition: Originally from Scotland, it is a "solitary witch" form of "The Craft". Pictish Witchcraft attunes itself to all aspects of nature; animal, vegetable, and mineral and it is more magickal in nature and practice than it is religious. Pictish witches are solitary and rarely, if ever, do they work in groups or covens

Pow-Wow Tradition: (Pennsylvania Dutch Tradition) Taken from the Algonquin word “pauwau”, which means literally "vision seeker", its principles encompass shamanic like rituals of healing through visions and the application of traditional medicines, which are often accompanied by prayers, incantations, songs, and dances. The word pauwau (pow-wow) was came to be used for Native American ceremonies and councils because of the important role played by the pauwau in both. The Pow Wow Tradition places great significance on the vision seeker as the nexus of group (coven) activities and rituals. Though some claim that the Pow-Wow Tradition is German in origin, but seems to be more of an amalgamation of local Native American traditions with those traditions of the Dutch immigrants of pagan heritage who settled in the Pennsylvania region of the United States.

Slavic (Russian) Tradition:  In traditional Slavic witchcraft, the power of magic is considered a realistic part of life without any link to the devil or demonology. It is believed anybody can learn witchcraft with the proper teaching and that teaching often comes in the form of riddles that the initiate must solve. The Slavic witch often possesses the ability to astral travel and can quite easily fall in and out of trance states. Slavic witches observe three canons during their rituals; nudity, silence and not looking back after the working’s conclusion.

Stregheria (Italian) Tradition:  Stregheria (an archaic Italian word for "witchcraft") is sometimes referred to as "La Vecchia Religione" (the old religion). These witches are called Streghe (plural), with the title Strega (for a female) and Stregone (for a male).  They follow a tradition that is based on the appreciation of wisdom and beauty. Stregheria is not a singular tradition, but instead a collection of practices that have descended from the native traditions of the Italian/Sicilian regions. It is said by some to be based on the teachings of a 14th century woman named Aradia, but, this does not mean that witchcraft in Italy began in the 14th century. The tradition taught by Aradia was a revival of the Old Ways of the folk religions of the ancient Etruscans and Romans during a time of persecution of the peasants of Italy by the Catholic nobility.  To many modern Stregherian Witches, most Catholic saints are simply ancient pagan gods dressed in Christian garb and the majority of Stregherians have removed these saints Catholic veneer and restored them to their pagan deity heritage. 

Teutonic (Germanic) Tradition: From ancient times the Teutons have been recognized as a group of people who speak the Germanic group of languages. Culturally, this includes the English, Dutch, Icelandic, Danish, Norwegian and Swedish peoples.  A Teutonic Witch finds inspiration in the differing traditional myths and legends and in the Gods and Goddesses of “The Homeland”  where each individual dialect originated. A German Teutonic Witch might differ from the Nordic Tradition, for example, in that they may not focus on manifesting prophetic power like the witches of Scandinavia. 

Welsh Tradition: Originating in Wales, Welsh witches believe themselves to be one of the oldest traditions. It is sometimes said to be confined to certain families and members of the family become "awakened" to their calling and pass through 9 levels of attainment. It is theoretically hereditary, but you can "be adopted" into the tradition.

Asatru: Asatru is regarded as the modern day attempt to revive the old Norse faith. During the early part of the 20th Century, the National Socialist Party in Germany under Adolf Hitler attempted to pervert Ásatrú by grafting parts of the religion onto the Nazi Aryan beliefs, but this died away for the most part at the end of World War II. Its followers today hold as closely as possible to the original religion of ancient Norse paganism. Modern Asatru is polytheistic and centered around the worship of eight main deities, along with other minor deities and supernatural beings of varying importance and their rites and rituals are centered upon the exchange of gifts with the Gods and one's kinfolk.

Odinism: The modern revival of an ancient Germanic folk religion widely practiced by various people throughout northern Europe, primarily dedicated to the gods of the Norse pantheon. (Some modern day Odinists often mistakenly refer to themselves as followers of Asatru). Ancient Odinism had the shamanic attributes of Odin and the “trickster god” Loki, as well as the ancient Germanic ‘honor and shame” nature of its warrior centered belief system. Organized Germanic groups such as the Germanische Glaubens-Gemeinschaft began a revival in Germany in the early 20th century, which was first overshadowed and then suppressed by the Nazis Aryan movement. A second revival came in the late 1960s and early 1970s. An extremist element of Odinism (Wotanism) has emerged primarily in the United States over the past few decades, attracting white supremacists who see it as a racially "pure white” religion. 

Druidry: In the Celtic religion, the modern words Druid or Druidry denote the practices of the ancient Druids, the priestly class in ancient Britain and Gaul. The historical knowledge of the Druids is very limited, as no Druidic documents have survived. Julius Caesar's ‘The Gallic Wars’ gives the fullest account of the ancient Druids and he describes them as the learned priestly class, who were guardians of the unwritten ancient law and who had the power of executing judgment. To most people today, the Druids conjure up images of a mysterious, religious sect wearing strange robes and conducting archaic ceremonies out in the open air at Stonehenge. However, archeologists have shown that Stonehenge was built, over a during the stone age, long before the emergence of the bronze age Druids and there is no evidence that they ever used Stonehenge as a religious site. Modern Druidism (Neo-druidism) came out of the Romanticism Movement of the 18th Century and is thought to have some, though not many, connections to the Old Religion, instead being based largely on writings produced during and after the 18th Century from second hand sources and dejected theories.

Feri Movement: A modern movement that was begun in the 1940’s by Victor Anderson and originally called the 'Vicia Tradition'.  It has its own theology with its own Gods, known as the Star Goddess, the Divine Twins and the Blue God. It utilizes ecstatic sexual practices which seek to raise and use “Feri energy” which is seen as a specific power that is passed between members of the movement. This movement is often confused as being Wiccan and while Feri members make no claims to a Wiccan lineage, a case could be made that Wicca is a child of the Feri Movement. 
Humanistic Movement: Adhering to an ideal of “Religious Humanism”, Humanistic practitioners follow a Nature-centered path, as contrasted with a deity-centered path. Humanistic practitioners tend to be atheistic or non-theistic and they define their approach to their interpretation of the Craft through the direct existential experience of the Natural world and not through the intervention of any Gods or Goddesses as they seek direct attunement with the power of Nature. 

New Reformed Orthodox Order of the Golden Dawn: An American denomination founded by researcher Aiden Kelly of the Covenant of the Goddess, drawing its foundation on the Victorian Era Hermetic Order of the Golden Dawn.  It was established 1967 as a poetic theater arts project for San Francisco State College, and has developed into a fully acknowledged religion by 1976. It has an emphasis on poetry, individual intuition, and experiential ritual. 
Quantum Mysticism: A term that has been used to describe the attempt to interconnect mystical views to quantum mechanics and its scientific interpretations. Quantum physicists attempt to explain how all dimensions of life and reality consists of "quanta", of "energy" as the vibratory nature of atomic particles in. Mystics attempt to explain how everything in the Universe, in all dimensions of life and reality consists of "prana", of "Qi (or Chi) energy" as the vibratory nature of reality. Quantum Mysticism, viewing the two concepts as harmonious and not contradictory, seeks to establish that both paths lead to the same destination. 
Wiccan Movement: Wicca is not “Witchcraft". Witchcraft and Wicca are two separate and distinct paths.  Though many Wiccans often incorrectly refer to themselves as whereas, traditional practitioners will never call themselves Wiccan, but will refer to themselves as being a witch, a heathen or they will use another label altogether.
Wicca as a modern organized religion (or some say cult) was developed around 1954 by Gerald Gardner.  Wicca, as created by Gardner, is a concoction of ancient Western European folk traditions, mixed with ancient Egyptian and Kabbalistic mysticism. The general public, (and many Wiccans themselves), are under the mistaken belief that Wicca has been brewing up over the millennia in some witch's cauldron rather than it being a mid-20th Century “concoction”. However, historically speaking, there is no evidence of the usage of the word "Wicca” prior to 1920 when it first appeared in ‘An Encyclopedia of Occultism’ compiled by Lewis Spence. The word was later usurped by Gardner as a label for his Wiccan Movement and he erroneously claimed “Wicca” to be a synonym for the word witchcraft.

Although initially Wicca was based more in magickal pursuits, it has since evolved into more of a New Age religious movement centered around a hegemony of priests and priestesses who administer rites and practices based on a doctrinal system of beliefs (a Wiccan Rede),  and with a shifting ethics base within each separate group or “coven". To be of Wicca you must swear an oath of allegiance and secrecy  to the coven in a structured ritual initiation.  In short, if no Wiccan priest or priestess with proper initiation themselves puts you through the process, you are not Wiccan. This stands in complete contrast to Witchcraft's tradition of self-awakening and self-empowering in the craft. A Traditional Witch does not swear an oath to another human and is bound only by personal allegiance to their own moral codes and ethics. 

Alexandrian Wicca: A modified Gardnerian system founded in the 1960's. More eclectic in practice, in most ways the Alexandrian Movement is very close too Gardnerian with a few minor changes. As with the Gardnerian, it is not considered to be "Old Religion" by traditional witches. 

Blue Star Wicca: The "Coven of the Blue Star" was begun in 1975 by Frank Dufner. The original coven described itself as practicing "Great American Nontraditional Collective Eclectic Wicca".  Which is confusing as eclectic practitioners do not adhere to any particular code and rarely are part of any group or coven. Although modeled from Gardnerian Traditions, some members reject the term Wicca and refer to their movement as Witchcraft. This sect also uses initiation and a degree system, which is Wiccan and Traditional Witchcraft

British Traditional Wicca (BTW): An umbrella term used to describe the Wiccan Movement as it is established in Britain, the most prominent of which are Gardnerian and Alexandrian Wicca. Most British Wiccans practice a modern neo-pagan religion, more in line with the new age, humanist movement. Most BTW conveners consider the term Wicca to be rightfully exclusive to BTW coven members.  They do not recognize anyone as a Wiccan that has not been initiated in a BTW lineage coven.

Caledonii Wicca: A Wiccan sect that mirrors the Hecatine Tradition of Witchcraft. (see above: ' Disciplines of Traditional Witchcraft'/'Hecatine Tradition')

Christian Wicca: (Trinitarian Wicca) A religious movement which purports to follow the principals of both Wicca and Christianity. Wicca is an earth-based religion in which its followers worship nature in all of its aspects: both feminine and masculine, (the God and the Goddess), in the tradition of the ancient pagan religion. Christianity teaches that accepting Jesus Christ is the only path to spiritual redemption, as set forth in the Bible. It is fair then to say that the two philosophies are vastly at odds and Christian Wicca is much more a Christian Evangelical movement than a Wiccan sect.

Covenant of the Goddess:  A cross-traditional Wiccan group of solitary Wiccan practitioners and over one hundred affiliated covens (or congregations). It was founded in 1975 in order to increase co-operation among Wiccans and to secure for witches and covens the legal protection enjoyed by members of other religions. Member covens generally focus theology and ritual on the Gardnerian established general practice within Wicca.

Dianic Wicca:  Sometimes referred to as a modern Cult of Diana, this is the most feminist Wiccan movement.  It is a mixture of different paths, though its primary focus is the Goddess who is worshiped in her three aspects of Maiden, Mother and Crone.  As a reflection of a "divine feminine tradition", its covens are mostly for women only. (see: Arcadian Wicca) To an outside observer, Dianic Wicca may appear as a single movement, but actually it is an intertwined group of practices that have influenced each other. Most Dianic Wiccans worship the Goddesses exclusively. An offshoot of Dianic Wicca, "Arcadian Wicca", was begun in the 1950's and unlike most Dianic groups, this movement allows both male and female members and it accords equal status to the divine masculine along with the divine feminine.  It centers around the worship of the Horned God of Greece's Arcadian Mountains.

Dynion Mwyn Coven: (also called: 'Y Tylwyth Teg’)  A modern Welsh movement that was originally created in 1967 in the United States and which was the basis of a legally incorporated church of Georgia state in 1977. This tradition is said by its adherents to be derived from Welsh and Pictish and Druidic religious practices.

Eclectic Wicca: There are 2 differing ideas of Eclectic Wicca. The first as an American Wiccan movement which developed following the introduction of Gardnerian and Alexandrian Wicca to the United States in the early 1960s that was incorporated under the banner of “The Church of Universal Eclectic Wicca".  This established church borrows elements from several Wiccan movements which some say is a "make it up as you go along" approach to Wicca.  Secondly, 'Eclectic Wicca’ as a label, may be better viewed as a term applied to practitioners that don't fit into any established Wiccan movement. An individual may be creating his or her own tradition of beliefs and practices and because their system can't be labeled as something else, it can be said to be eclectic. Or one might be a solitary, practicing what he or she has learned from available sources on Wicca and so his or her Wiccan practice would be considered eclectic. Though in such examples the practitioner would but not be part of an initiatory nor oath bound lineage, which are primary foundations of Wicca. So Eclectic Wiccans are in practice more like traditional eclectic witches than they are adherents of the Wiccan Rede of an established group or coven

Gardnerian Wicca:  These are the followers of the original Wicca as founded by Gerald Gardner in 1954. According to Gardner's manifesto; the Wiccan practice has a fairly dogmatic set of elaborate ceremonies and rituals which are overseen by his own initiated lineage of priests and priestesses. Wicca was created during the time of a'neo-pagan spiritual revival' movement which sprang up in Europe in the 1950s and this new religion, (which was probably based on the earlier Feri Movement of the 1940's), has never had credibility amongst traditional witches who see it as promoting the idea of 'weekend witchcraft' and not fostering a true dedication to the Craft. Some people also speculate that the general public’s misconception that witches hold their ceremonies in the nude is directly traceable to Gardnerian Wicca. Gardner was the owner of the Five Acres Nudist Club in Herefordshire, England and his nudist camp became a mecca for those who wanted to come to “dance skyclad under the Moon” which gives credence to the idea that Wicca was a marketing gimmick for Gardner’s business that took on a life of its own. Today Gardner has come to be remembered by many as a fraud and a huckster who stumbled into the neo-pagan revival at the right moment.

Georgian Wicca: The name "Georgian" refers to George Patterson, who founded the tradition in 1970 in the United States. It is normally taught from male to female and female to male in a coven by persons who have been initiated and elevated to the priesthood according to the rites and rituals of the tradition, although members are said to be encouraged to learn and study through all resources available. It incorporates both Gardnerian and Alexandrian Wicca Traditions and although it is a God and Goddess system, it leans strongly toward the Goddess. 

Hellenic Wicca: (Hellenism) A movement in Wicca in which the practitioner follows Greek ideals/culture and honors the Greek pantheon. Followers of the Hellenic path worship their Gods and make offerings in exchange for the favour of their Gods. Aphrodite for example may be petitioned in matters of the heart or offerings made be made to Dionysus to ask for a good wine harvest.

Seax-Wicca: (Saxon Wicca) Founded by Raymond Buckland in 1973 and it is loosely based upon Saxon Paganism. Seax Wica does not require initiation or membership into a coven or lineage group. Members may self-dedicate themselves to the path and they are encouraged to add to or modify the rituals and practices of the tradition as needed. Germanic deities and runes play a significant part in the practice.

Witta: Said to have been "created" by author Eden McCoy in 1992, Witta is basically Wicca simplified. The most important belief in Witta is that a Witch (Wittan) must connect and work with nature. This leads to a belief that rituals and covens are secondary to one's love for and connection with nature. It has a similarity to traditional Irish witchcraft and because of Witta's more "solitary" tones it, (or rather McCoy herself), has become controversial among some Wiccans.


The Wiccan Rede is a statement that provides the key moral system in the Neopagan religion of Wicca and certain other related Witchcraft-based faiths. A common form of the Rede is “An it harm none, do what ye will.”


Wiccan Rede:
Bide within the Law you must, in perfect Love and perfect Trust.
Live you must and let to live, fairly take and fairly give.
For tread the Circle thrice about to keep unwelcome spirits out.
To bind the spell well every time, let the spell be said in rhyme.
Light of eye and soft of touch, speak you little, listen much.
Honor the Old Ones in deed and name,
let love and light be our guides again.
Deosil go by the waxing moon, chanting out the joyful tune.
Widdershins go when the moon doth wane,
and the werewolf howls by the dread wolfsbane.
When the Lady's moon is new, kiss the hand to Her times two.
When the moon rides at Her peak then your heart's desire seek.
Heed the North winds mighty gale, lock the door and trim the sail.
When the Wind blows from the East, expect the new and set the feast.
When the wind comes from the South, love will kiss you on the mouth.
When the wind whispers from the West, all hearts will find peace and rest.
Nine woods in the Cauldron go, burn them fast and burn them slow.
Birch in the fire goes to represent what the Lady knows.
Oak in the forest towers with might, in the fire it brings the God's
insight.   Rowan is a tree of power causing life and magick to flower.
Willows at the waterside stand ready to help us to the Summerland.
Hawthorn is burned to purify and to draw faerie to your eye.
Hazel-the tree of wisdom and learning adds its strength to the bright fire burning.
White are the flowers of Apple tree that brings us fruits of fertility.
Grapes grow upon the vine giving us both joy and wine.
Fir does mark the evergreen to represent immortality seen.
Elder is the Lady's tree burn it not or cursed you'll be.
Four times the Major Sabbats mark in the light and in the dark.
As the old year starts to wane the new begins, it's now Samhain.
When the time for Imbolc shows watch for flowers through the snows.
When the wheel begins to turn soon the Beltane fires will burn.
As the wheel turns to Lamas night power is brought to magick rite.
Four times the Minor Sabbats fall use the Sun to mark them all.
When the wheel has turned to Yule light the log the Horned One rules.
In the spring, when night equals day time for Ostara to come our way.
When the Sun has reached its height time for Oak and Holly to fight.
Harvesting comes to one and all when the Autumn Equinox does fall.
Heed the flower, bush, and tree by the Lady blessed you'll be.
Where the rippling waters go cast a stone, the truth you'll know.
When you have and hold a need, harken not to others greed.
With a fool no season spend or be counted as his friend.
Merry Meet and Merry Part bright the cheeks and warm the heart.
Mind the Three-fold Laws you should three times bad and three times good.
When misfortune is now wear the star upon your brow.
Be true in love this you must do unless your love is false to you.
These Eight words the Rede fulfill:
"An Ye Harm None, Do What Ye Will"


I’ve had some argue that anything related to paganism/ Occult/mediums or psychics came after the bible and after main stream religions. Here is my answer to that.


King James version, 1 Samuel chapter 28 versus 8-14
Saul (Apostle Paul)

“8. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. 9. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? 10. And Saul sware to her by the LORD, saying, As the LORD liveth, there shall no punishment happen to thee for this thing. 11. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. 12. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. 13. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. 14. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself.

Sunday, October 23, 2016

Fictional character body types and social issues.

I was asked if I prefer writing about thin athletic characters or attractive and thin. This is just the shortened version of the question but it gets the point across. It’s about whether my characters are thin or not. My basic answer for this is that my characters’ personality tends to lend towards any body type. There are times that I’ll refer to something about the character, if they happen to be tall or short. If they are clumsy or a perfectionist. I prefer to let the characters speak for themselves and depending on what their life is like it can be very different from another and I feel many of my characters are very diverse. I don’t the prime attention to the characters to be their body shape or looks.
When I write a character, I don’t plan whether they are gay, nationality, political beliefs or skin color they are. In the family secrets series, the midnight madam, the lady in black or Katherine Hawthorne as she is known. I never defined her exactly. She prefers wearing black. It helps her blend in more and she prefers to be left alone, even her family she turned she doesn’t spend time with. She has her own agenda, and plans what her time and future is. She hides behind a black veil almost as though she is mourning and yet she is incredibly powerful to the point she could take everyone out. So why doesn’t she? There is something about her that comes out in the end that no one expects. I don’t go into what size she is, if she’s athletic or handicapped. She is introverted and not social unless she is forced to be. Even as the writer, Katherine could be deaf. I don’t even discuss if she prefers women over men. I want the story to tell itself while having her be incredibly strong mentally and determined. I think I would be doing a great injustice to her if I defined her other than people will assume she is evil. She is malicious when it comes to others lives and would kill anyone to get what she wants but is that what makes her evil? There are always variables to this and why she is at that point.
The closest I have come in defining her is that her skin blends well with her veil. Usually she is seen in the dark but her features are difficult to see because she is always covered. To be honest I doubt she is Caucasian but again I never set anything to her. Another character Lorah is going to surprise some since I hadn’t seen it coming. There were certain characteristics of hers that became more pronounced as the series progressed and I learned from her. She may or may not be lesbian but I can’t honestly say if that is what I was surprised by since there are several revelations about her that slowly come out and who she is connected with outside of the main family that even though they thought they knew everything about her, they never saw this coming.

At times, there might be a few where I’ve described hair color changing or moving to another location. There certainly isn’t anything wrong with an author defining their characters. It is what they relate to and helps them better write about them. I want to connect to the personalities of the character. For me that helps write the story more than being stuck with a body type. I feel it is important to get past the looks of a character. Every reader has their idea of what attractive looks like and the way I describe something doesn’t mean people will see it the same way I do and that is fine with me. I will always have an idea in my mind about them. Especially three characters in particular that I had three different muses influence me. I mainly want the possibilities to be wide open as it would be for a real person. There are many people I know who are overweight that have accomplished more than a thin person and vice versa. The reason I do this is that it works for me, not what is sought after because people want someone or something to represent their group. I don’t want it to feel forced. I wanted it to come naturally and be the way it is because of the natural course the story went. I won’t intentionally exclude aspects but I also don’t want it to seem like a big elephant in the room that no one is talking about.
I do write fictional paranormal romance however I want the family to have problems regular people would have. Simply because they were turned to vampires it doesn’t mean their personality should change unless what they already are happens to be enhanced and when you’re a klutz that doesn’t exactly feel very rewarding. There will be many levels that they will not be relatable but there will be some that certainly will be.

Friday, April 29, 2016

Thoughts on my writing and Facebook

If you have been following my Facebook page you'll notice that I have been posting very random posts. They happen to be posts that I am very interested in from archaeology, Astronomy and music. As a writer I find inspiration from all fields of life and many I wonder why haven't I tried writing something in this area? I love the genre 'paranormal' since there are so many possibilities. Even though much of my writing is considered paranormal romance I like to include real historical facts either of the time period, how the world may be during that time or even genres of music that the characters enjoy listening to. I could talk about my books however for me as much that I love the books I get bored and need variety. I promise as anything new develops I will inform everyone of them.

When I write I always have music playing and I do tend to watch movies or shows that I enjoy. I am always inspired by other creative artists especially when I have a mood I'm trying to stay in while I write I want either a fast or slow tempo playing or a happy or sad movie playing in the background. My favorite had been Doctor Who however I've been watching other shows lately. Right now I'm currently listening to music https://youtu.be/O3VPs9b_HZE which is Zendaya singing Neverland.

One of the many things that are important to me is plagiarism and it is something that sadly happens but can be avoided. I've seen where writers like a certain phrase or lyric in a song so they either have their character write it or include in some sort of phrasing. This is still a form of plagiarism unless you have permission to replicate this phrase or lyric in your book from the artist or anyone else that has intellectual ownership of the words. As I've always felt that if your a writer and creative enough to write a story you should be able to write your own words of love or other reasons you would want those lyrics in your story. Many include their favorite book titles or authors, singers in their works and this is fine as long as your character is not that person representing them then again its in that area you need permission. I won't keep going on about plagiarism since I could write a twenty page article on this. Main point is that I respect other artists and their creative works and against illegal downloading of their works.

The best advice I heard when I was little and starting to write for fun was to "write what you know." I was exposed to so much more then some might have been at my age. I remembered hearing adults talking about how the infrastructure of gangs worked. That they treated each other like family, what hazing was and what was done. I was given a pretty good lesson on these even though it was not directed towards me, I heard the adults talking about it and I felt I knew enough to write a story about it. So I did. I created two people who grew up in a gang like family. I actually learned this in church. If I have personal experiences or interests I feel it helps develop the characters more and help make them relate-able.

I like to feel as though my life has meaning and for me personally I love helping others. When I worked at the Lighthouse Rehabilitation center I felt that I was doing that. I assisted people with their rehabilitation, daily care and socialized with each one getting to know their personalities, what they liked or did not like, the positive along with a few scary moments. I never regretted working there even though I do private home care now and work independently. Everything I do I think about how it would be written out in a book. I love writing so much that every aspect in life gets me to think how it would be written out. How would your own life be written if it were in a book? Only you would know that and those are only a few things I think of.